Saturday, October 31, 2015
Tuesday, October 27, 2015
Trailblazing Women series has been knocking it out of the park even more than usual for the channel. Hosted by the great Illeana Douglas with an impressive array of guests the series explores the path women have taken over the past hundred-plus years in the film industry, including success and some that have unfortunately fallen by the wayside and making it very clear that this path of history deserves notice. Just to mention a few titles, Ida Lupino’s OUTRAGE was extremely powerful, getting to revisit Elaine May’s THE HEARTBREAK KID was a revelation and my first ever viewing of Shirley Clarke’s astonishing PORTRAIT OF JASON…well, we’ll have to talk about that another time. One unexpected pleasure came on Independent Classics night and my first viewing of Claudia Weill’s GIRLFRIENDS, a film I had only vaguely heard about in passing and one I found myself surprisingly drawn to within minutes. Picked up by Warner Bros. and released in 1978, it’s a film that takes certain Woody Allen-Paul Mazursky preoccupations of the time and turns them into its own thing while clearly being an influence on some people who have emerged in the years since. Filmed on a low budget in 16mm it has a grimy look which goes perfectly with the grimy 70s New York feel of the time, almost as if we might bump into Jill Clayburgh from AN UNMARRIED WOMAN coming around a corner. But the empathy it shows for all of its characters and its casual way of telling the story makes it unique and affecting. Warner Archive. The inclusion of the film in the Trailblazing Women series on TCM is deserved, hopefully exposing it to people who also never caught up with it. It also bodes well for what else might be in store when the series will return over the next two Octobers, presumably again hosted by Illeana Douglas who will hopefully be seen even more on TCM in the future. Even her discussions with guests before and after the films have felt longer and more fleshed out then they usually do on the channel, a choice which has helped the series have that much more of an impact. As an example of the Trailblazing Women series GIRLFRIENDS serves as, among other things, a reminder of how there are always films out there that feature distinctive voices which deserve to be discovered again, moving beyond just the sanctioned ‘classics’ whatever those are supposed to be. On its own it shows how hard things can be, whether between friends or just yourself, but every now and then we can spot the small possibility of moving forward. Which would include, hopefully, seeing more films as well.
Tuesday, October 20, 2015
A SIMPLE PLAN. The film has all the markings of an old-school movie star vehicle even though the star in question, Kevin Costner, seemed like he was nearing the end of that run during the period, with the dust of THE POSTMAN from a few years earlier still on him. The fall of ’99 was a memorable time for films—BEING JOHN MALKOVICH, THE LIMEY, FIGHT CLUB, THREE KINGS—but FOR LOVE OF THE GAME is almost insistently square in comparison as if part of the design was to try to emulate what a Douglas Sirk baseball picture starring Rock Hudson in 1958 might have been. It never comes close to being quite that extreme but there still isn’t a cynical bone in the entire film and considering it’s about a character who feels like he’s a relic of the past it maybe makes sense that it seems to belong in another time. It’s kind of forgotten by now, certainly when compared to the other Costner baseball films BULL DURHAM and FIELD OF DREAMS, but there’s an earnest spirit to it and it’s also certainly notable as another example of Sam Raimi testing himself as a director, pushing himself to do something different while he moved further away from horror films into the big leagues.