Sunday, March 5, 2017
THE MASTER was really looking into the faces Tarantino it’s all about those faces and the hatred behind them. KILL BILL: THE WHOLE BLOODY AFFAIR Blu that we’ve all stopped holding our breath for. But what’s a Tarantino mythology without footage being withheld from us, after all. THE THING and one from EXORCIST II: THE HERETIC in there—the brief use of HERETIC music is appreciated because that score is all-holy but it’s the tracks from THE THING which make the most sense here, almost becoming part of the text itself coming from another film set in the remote cold with Kurt Russell, another film where you can’t trust who you’re trapped with, making THE HATEFUL EIGHT in part a prolonged examination of that film from an alternate genre perspective or maybe just the western that John Carpenter never made. Like other Carpenter films it’s a story mostly set in one place trying to keep out a greater force only in this case it’s not just the blizzard (referred to as a ‘white hell’ which itself brings to mind THE WHITE HELL OF PITZ PALU, referenced in INGLOURIOUS BASTERDS—movie titles are part of the Tarantinoverse before movies are even invented) but the world itself with all the hatred and racism imaginable.