Mr. Peel's Sardine Liqueur

William Friedkin’s THE FRENCH CONNECTION only seems to get better as the years pass. In contrast John Frankenheimer’s less well-known 1975 f...

It’s now over ten years since a new film by Michael Cimino played theaters—that was THE SUNCHASER, which barely got any sort of release as i...

One night up in Westchester during the spring of 1992 a friend and I were the only audience members in attendance at the evening’s last show...

I’ve been thinking a lot about the films of Hal Ashby lately. Not that I haven’t done that before, but this time just feels different. This ...

It’s not a title I was familiar with up until a week ago, but Alan Rudolph’s 1978 film REMEMBER MY NAME is a fascinating find, an anti-thril...

It’s hard for there not to be at least a little bit of mystery around a film that has never been released on video in any format, especial...

The Oscars are over and I’m not sure what else there is to say about them. Frankly, I would have written this last night but when the show e...

At times a truly striking collision of cultures in plot, character and style, THE OUTSIDE MAN has to be one of the oddest yet most engaging ...