Sunday, October 23, 2016
What That Reason Is
’78 versions of INVASION OF THE BODY SNATCHERS isn’t as good as those two but there are far worse things you could say about any film than that it doesn’t quite live up to a pair of classics. Returning to it again after however many years, if this BODY SNATCHERS has any problem it’s that the very best moments and ideas don’t necessarily make up a completely satisfying narrative in the end and maybe that’s one reason why I sort of forgot about it. But considering the onslaught of thematically empty remakes/reboots/whatevers that we’ve had to deal with in recent years this one is pretty damn near daring in what it even attempts to accomplish. The film is still flawed and either lacks the necessary ‘big idea’ or the one it has is a little too obscured but what’s there is still effective which, especially these days, is better than nothing. ’78 version there was more ‘stuff’ going on. Here there’s a left-right conflict of the EPA chemist representing ‘hippies saving the planet’ with the (then) post-cold war military that clearly wants to be left alone but the conflict never becomes very substantial, much of the EPA angle pretty much leading nowhere plotwise. The real impact comes from the teenage lead character who feels isolated from the entire world already, not feeling at all part of a family that has already broken apart. She doesn’t even know what personality she is yet, let alone what she’s going to become, in contrast with her new friend who rebels against her surroundings yet fully expects to turn into her parents eventually. interviews leads to more questions but still isn’t the ‘Ferrara pissed off the Warner execs’ anecdote that I was expecting, apparently having more to do with skullduggery within the studio at the time than any maverick behavior on his part. But the recent release of a Blu-ray from the Warner Archive means that hopefully this film will still be out there. “You always remember the good things about people,” says Marti at one point, just as I need to remember seeing this film in Westwood long ago, and in some ways the film is about how we need to remember whether it’s the good things about other people or the bad things about ourselves. Like it or not, it’s part of what we hold on to, it’s part of what makes us who we are, even if those other people never know this and even if they never remember the way we feel about them.