Monday, September 12, 2016
The Standard Of Living
KCET Cinema Series sometimes screens one of his films in conjunction with the James & Paula Coburn Foundation and this past August they played a gorgeous 35mm print of this film, something I had never expected to see. Remembered these days mainly for being the feature debut of a certain other legendary star in a bit role, DEAD HEAT is almost too aloof to be a classic, it’s almost daring you to call it anything other than aloof, never asking for your love but within the fractured quality of its story its own cool rhythm comes to play. It may not be a masterwork of the genre but regardless, there aren’t many days where I’m going to complain about getting to see a 60s heist movie anyway and this one definitely has its pleasures. flower stand in San Francisco). In addition, as much as the world already knows, Harrison Ford makes his film debut here as a bellhop who briefly gets confused by Coburn pulling one of his many cons. It’s cool to see him here, but the film deserves to be known for more than that. Lynda Erkiletian of the James & Paula Coburn Foundation for the invite. There’s a chilliness to DEAD HEAT ON A MERRY-GO-ROUND which sets it apart while fitting in perfectly with other Coburn films from the 60s. “It all depends on what you need,” goes a line near the end and sometimes that one thing can be all you think about, where all your focus is so you miss what else is there. Maybe you eventually notice it. Maybe you notice it too late. Sometimes these films keep things so light that there’s no time for such truths but DEAD HEAT ON A MERRY-GO-ROUND has just the right amount of sting to it. Besides, there’s nothing wrong with a little nastiness just when you think things are going your way. Except when it happens to you, of course.